Handel: Organ Concertos Op 4 / Halls, Huggett, Sonnerie
Monica Huggett and her ensemble Sonnerie scored a hit on Avie with their recording of Handel's Trio Sonatas, Op. 2 (AVI33). They continue their traversal of Handel's chamber works with the Organ Concertos, Op. 4, featuring soloist Matthew Halls, a brilliant young soloist who spins out Handel's endlessly tuneful works with an improvisatory flair that the composer - himself a virtuoso organist - would surely have approved of. On this CD, he plays a replica of a Baroque style chamber organ, built by Jaap Fama and Henk Klop, and owned by the Dutch Bach Society.
R E V I E W S:
"Sonnerie elect to open this delectable recording with the bright, extrovert Concerto No 4, which Handel based on music he had rejected from his autograph of Alcina. Matthew Halls begins this with a fabulous flourish on the organ before Sonnerie launch in, setting the pace for this lively and engaging disc. Halls, using a fascinating Dutch chamber organ which is perfect for the intimately balanced ensemble, plays the solos in Concerto No 6 (the 'harp' concerto) with admirable delicacy and affection...Although Halls is sometimes accompanied only by six musicians, the slow movements are surprisingly lush and evocative. Inspiring interpretations that are a joy from beginning to end"
- David Vickers, GRAMOPHONE
R E V I E W S:
"Sonnerie elect to open this delectable recording with the bright, extrovert Concerto No 4, which Handel based on music he had rejected from his autograph of Alcina. Matthew Halls begins this with a fabulous flourish on the organ before Sonnerie launch in, setting the pace for this lively and engaging disc. Halls, using a fascinating Dutch chamber organ which is perfect for the intimately balanced ensemble, plays the solos in Concerto No 6 (the 'harp' concerto) with admirable delicacy and affection...Although Halls is sometimes accompanied only by six musicians, the slow movements are surprisingly lush and evocative. Inspiring interpretations that are a joy from beginning to end"
- David Vickers, GRAMOPHONE
$5.25
Original: $14.99
-65%Handel: Organ Concertos Op 4 / Halls, Huggett, Sonnerie—
$14.99
$5.25
Description
Monica Huggett and her ensemble Sonnerie scored a hit on Avie with their recording of Handel's Trio Sonatas, Op. 2 (AVI33). They continue their traversal of Handel's chamber works with the Organ Concertos, Op. 4, featuring soloist Matthew Halls, a brilliant young soloist who spins out Handel's endlessly tuneful works with an improvisatory flair that the composer - himself a virtuoso organist - would surely have approved of. On this CD, he plays a replica of a Baroque style chamber organ, built by Jaap Fama and Henk Klop, and owned by the Dutch Bach Society.
R E V I E W S:
"Sonnerie elect to open this delectable recording with the bright, extrovert Concerto No 4, which Handel based on music he had rejected from his autograph of Alcina. Matthew Halls begins this with a fabulous flourish on the organ before Sonnerie launch in, setting the pace for this lively and engaging disc. Halls, using a fascinating Dutch chamber organ which is perfect for the intimately balanced ensemble, plays the solos in Concerto No 6 (the 'harp' concerto) with admirable delicacy and affection...Although Halls is sometimes accompanied only by six musicians, the slow movements are surprisingly lush and evocative. Inspiring interpretations that are a joy from beginning to end"
- David Vickers, GRAMOPHONE
R E V I E W S:
"Sonnerie elect to open this delectable recording with the bright, extrovert Concerto No 4, which Handel based on music he had rejected from his autograph of Alcina. Matthew Halls begins this with a fabulous flourish on the organ before Sonnerie launch in, setting the pace for this lively and engaging disc. Halls, using a fascinating Dutch chamber organ which is perfect for the intimately balanced ensemble, plays the solos in Concerto No 6 (the 'harp' concerto) with admirable delicacy and affection...Although Halls is sometimes accompanied only by six musicians, the slow movements are surprisingly lush and evocative. Inspiring interpretations that are a joy from beginning to end"
- David Vickers, GRAMOPHONE
