Masaaki Suzuki plays Bach Organ Works, Vol. 2
Also Available: Masaaki Suzuki plays Bach Organ Works
Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.
Volume 1 featured the celebrated Schnitger/Hinz organ of Groningen’s Martinikerk in the Netherlands. For this present instalment, Suzuki returned to more familiar ground – the chapel of the Kobe Shoin Women's University where the great majority of his recordings with Bach Collegium Japan have taken place. The chapel houses a French classical organ built in 1983 by Marc Garnier, and on it Suzuki performs a highly symmetrical programme with the large-scale chorale partita BWV 768 at its centre. The work is known as ‘Sei gegrüßet, Jesu gütig’, although the chorale text that it is structured upon most probably is that of ‘O Jesu, du edle Gabe’. On either side the partita is flanked by an arrangement by Bach of concertos by Vivaldi, and a chorale prelude on ‘Liebster Jesu, wir sind hier’. The disc opens and closes with a Prelude and Fugue, in G major and C major respectively.
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REVIEWS:
Suzuki makes extremely savvy use of his resources; the instrument's almost chamber-music-like clarity and intimacy of the results is most enjoyable. The recorded sound is unusually crisp and clear. Strongly and enthusiastically recommended.
– Fanfare
The life, vitality, affection and fun Suzuki brings to them will ensure they have a lasting place in the annals of Bach organ recordings.
– MusicWeb International
The remarkable harpsichordist/organist/conductor Masaaki Suzuki continues his recordings for BIS with this SACD of organ music of Bach played on the Marc Garnier organ of Shoin Chapel in Kobe, Japan. This is not a large cathedral organ. You won’t hear massive pedal notes, but these are excellent performances, beautifully and naturally recorded.
– Classical CD Review
Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.
Volume 1 featured the celebrated Schnitger/Hinz organ of Groningen’s Martinikerk in the Netherlands. For this present instalment, Suzuki returned to more familiar ground – the chapel of the Kobe Shoin Women's University where the great majority of his recordings with Bach Collegium Japan have taken place. The chapel houses a French classical organ built in 1983 by Marc Garnier, and on it Suzuki performs a highly symmetrical programme with the large-scale chorale partita BWV 768 at its centre. The work is known as ‘Sei gegrüßet, Jesu gütig’, although the chorale text that it is structured upon most probably is that of ‘O Jesu, du edle Gabe’. On either side the partita is flanked by an arrangement by Bach of concertos by Vivaldi, and a chorale prelude on ‘Liebster Jesu, wir sind hier’. The disc opens and closes with a Prelude and Fugue, in G major and C major respectively.
-----
REVIEWS:
Suzuki makes extremely savvy use of his resources; the instrument's almost chamber-music-like clarity and intimacy of the results is most enjoyable. The recorded sound is unusually crisp and clear. Strongly and enthusiastically recommended.
– Fanfare
The life, vitality, affection and fun Suzuki brings to them will ensure they have a lasting place in the annals of Bach organ recordings.
– MusicWeb International
The remarkable harpsichordist/organist/conductor Masaaki Suzuki continues his recordings for BIS with this SACD of organ music of Bach played on the Marc Garnier organ of Shoin Chapel in Kobe, Japan. This is not a large cathedral organ. You won’t hear massive pedal notes, but these are excellent performances, beautifully and naturally recorded.
– Classical CD Review
$21.99
Masaaki Suzuki plays Bach Organ Works, Vol. 2—
$21.99
Description
Also Available: Masaaki Suzuki plays Bach Organ Works
Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.
Volume 1 featured the celebrated Schnitger/Hinz organ of Groningen’s Martinikerk in the Netherlands. For this present instalment, Suzuki returned to more familiar ground – the chapel of the Kobe Shoin Women's University where the great majority of his recordings with Bach Collegium Japan have taken place. The chapel houses a French classical organ built in 1983 by Marc Garnier, and on it Suzuki performs a highly symmetrical programme with the large-scale chorale partita BWV 768 at its centre. The work is known as ‘Sei gegrüßet, Jesu gütig’, although the chorale text that it is structured upon most probably is that of ‘O Jesu, du edle Gabe’. On either side the partita is flanked by an arrangement by Bach of concertos by Vivaldi, and a chorale prelude on ‘Liebster Jesu, wir sind hier’. The disc opens and closes with a Prelude and Fugue, in G major and C major respectively.
-----
REVIEWS:
Suzuki makes extremely savvy use of his resources; the instrument's almost chamber-music-like clarity and intimacy of the results is most enjoyable. The recorded sound is unusually crisp and clear. Strongly and enthusiastically recommended.
– Fanfare
The life, vitality, affection and fun Suzuki brings to them will ensure they have a lasting place in the annals of Bach organ recordings.
– MusicWeb International
The remarkable harpsichordist/organist/conductor Masaaki Suzuki continues his recordings for BIS with this SACD of organ music of Bach played on the Marc Garnier organ of Shoin Chapel in Kobe, Japan. This is not a large cathedral organ. You won’t hear massive pedal notes, but these are excellent performances, beautifully and naturally recorded.
– Classical CD Review
Before releasing his first disc of Bach’s organ works, Masaaki Suzuki had recorded the composer’s complete sacred cantatas, as well as the large-scale choral works and much of the music for harpsichord. His achievements in these fields obscured the fact that Suzuki originally trained as an organist, and began working as such already at the age of twelve. So when Volume 1 of this series reached reviewers around the world, it was something of a revelation to many: the disc went on to be named Choice of the Month in BBC Music Magazine, Diapason d’Or in Diapason and Recording of the Month in Gramophone, which then went on to include it on its list of the ‘50 Greatest Bach Recordings’.
Volume 1 featured the celebrated Schnitger/Hinz organ of Groningen’s Martinikerk in the Netherlands. For this present instalment, Suzuki returned to more familiar ground – the chapel of the Kobe Shoin Women's University where the great majority of his recordings with Bach Collegium Japan have taken place. The chapel houses a French classical organ built in 1983 by Marc Garnier, and on it Suzuki performs a highly symmetrical programme with the large-scale chorale partita BWV 768 at its centre. The work is known as ‘Sei gegrüßet, Jesu gütig’, although the chorale text that it is structured upon most probably is that of ‘O Jesu, du edle Gabe’. On either side the partita is flanked by an arrangement by Bach of concertos by Vivaldi, and a chorale prelude on ‘Liebster Jesu, wir sind hier’. The disc opens and closes with a Prelude and Fugue, in G major and C major respectively.
-----
REVIEWS:
Suzuki makes extremely savvy use of his resources; the instrument's almost chamber-music-like clarity and intimacy of the results is most enjoyable. The recorded sound is unusually crisp and clear. Strongly and enthusiastically recommended.
– Fanfare
The life, vitality, affection and fun Suzuki brings to them will ensure they have a lasting place in the annals of Bach organ recordings.
– MusicWeb International
The remarkable harpsichordist/organist/conductor Masaaki Suzuki continues his recordings for BIS with this SACD of organ music of Bach played on the Marc Garnier organ of Shoin Chapel in Kobe, Japan. This is not a large cathedral organ. You won’t hear massive pedal notes, but these are excellent performances, beautifully and naturally recorded.
– Classical CD Review
