Rachmaninoff: Suites For Two Pianos, Etc / Ax, Bronfman
Like Ravel's piano originals that he subsequently orchestrated, Rachmaninov's two-piano version of Symphonic Dances sounds like a note-exact replica of the later symphonic score. Essentially the only thing missing is the chance to marvel at the composer's remarkable powers of orchestration. However, in compensation you get the enhanced clarity of textures that allows for fine delineation of all the intricate inner voices, especially as realized by Emanuel Ax and Yefim Bronfman, who beautifully elucidate Rachmaninov's winding, winsome, and wondrous tunes. However, if you're like me, you can't help but pine for the missing percussion in the outer movements, and no piano ever could imitate the snarling brass crescendos that open movement II. Nonetheless, Ax and Bronfman make this Symphonic Dances a refreshingly alternative listening experience--as do Martha Argerich and Nelson Freire, though their faster speeds and self-conscious bravura make their performance more of a virtuoso showcase, something that also can be said for their Suite No. 2 with its breathless Waltz. Ax and Bronfman at least allow you to clearly discern all the notes in their noticeably less-excited rendition. But no need to worry: you get just as caught up in their potent projection of Rachmaninov's lush harmonies.
Later, Ax and Bronfman conjure up a startlingly vivid impression of church bells in the joyfully clangorous finale of the disc-ending Suite No. 1. All of this is faithfully and powerfully rendered by Sony's recording, which leaves adequate space around the instruments to make a cohesive, three-dimensional sound image (though not enough for satisfyingly deep bass). In sum, a gorgeously played and generous program (it would have filled two LPs in the '70s). Recommended for Rachmaninov lovers and piano fans alike.
--Victor Carr Jr., ClassicsToday.com
Later, Ax and Bronfman conjure up a startlingly vivid impression of church bells in the joyfully clangorous finale of the disc-ending Suite No. 1. All of this is faithfully and powerfully rendered by Sony's recording, which leaves adequate space around the instruments to make a cohesive, three-dimensional sound image (though not enough for satisfyingly deep bass). In sum, a gorgeously played and generous program (it would have filled two LPs in the '70s). Recommended for Rachmaninov lovers and piano fans alike.
--Victor Carr Jr., ClassicsToday.com
$4.20
Original: $11.99
-65%Rachmaninoff: Suites For Two Pianos, Etc / Ax, Bronfman—
$11.99
$4.20
Description
Like Ravel's piano originals that he subsequently orchestrated, Rachmaninov's two-piano version of Symphonic Dances sounds like a note-exact replica of the later symphonic score. Essentially the only thing missing is the chance to marvel at the composer's remarkable powers of orchestration. However, in compensation you get the enhanced clarity of textures that allows for fine delineation of all the intricate inner voices, especially as realized by Emanuel Ax and Yefim Bronfman, who beautifully elucidate Rachmaninov's winding, winsome, and wondrous tunes. However, if you're like me, you can't help but pine for the missing percussion in the outer movements, and no piano ever could imitate the snarling brass crescendos that open movement II. Nonetheless, Ax and Bronfman make this Symphonic Dances a refreshingly alternative listening experience--as do Martha Argerich and Nelson Freire, though their faster speeds and self-conscious bravura make their performance more of a virtuoso showcase, something that also can be said for their Suite No. 2 with its breathless Waltz. Ax and Bronfman at least allow you to clearly discern all the notes in their noticeably less-excited rendition. But no need to worry: you get just as caught up in their potent projection of Rachmaninov's lush harmonies.
Later, Ax and Bronfman conjure up a startlingly vivid impression of church bells in the joyfully clangorous finale of the disc-ending Suite No. 1. All of this is faithfully and powerfully rendered by Sony's recording, which leaves adequate space around the instruments to make a cohesive, three-dimensional sound image (though not enough for satisfyingly deep bass). In sum, a gorgeously played and generous program (it would have filled two LPs in the '70s). Recommended for Rachmaninov lovers and piano fans alike.
--Victor Carr Jr., ClassicsToday.com
Later, Ax and Bronfman conjure up a startlingly vivid impression of church bells in the joyfully clangorous finale of the disc-ending Suite No. 1. All of this is faithfully and powerfully rendered by Sony's recording, which leaves adequate space around the instruments to make a cohesive, three-dimensional sound image (though not enough for satisfyingly deep bass). In sum, a gorgeously played and generous program (it would have filled two LPs in the '70s). Recommended for Rachmaninov lovers and piano fans alike.
--Victor Carr Jr., ClassicsToday.com
