Romanus Weichlein: Opus I, 1695
After a first disc devoted to Schmelzer, enthusiastically hailed by the critics ('Editor's Choice' Gramophone, 'Choc' of Classica), the ensemble Masques, conducted by Olivier Fortin, returns to Alpha with a programme combining works by Muffat, Kerll and Pachelbel along with those of a composer who has remained largely unknown and totally forgotten: Romanus Weichlein (1652-1706). Benedictine monk, prefect and official composer of the Benedictine abbey of S�ben, Romanus Weichlein left several collections of sonatas and masses as well as large chaconnes, magnificent works in the tradition of his compatriots Biber, Johann Heinrich Schmelzer, Pavel Josef Vejvanovsky� and Georg Muffat. In this new program, Masques presents both ensemble pieces and others for solo or two harpsichords (the second harpsichord being played by Skip Semp�), always featuring the expressiveness, eloquence and profound interpretation for which it is known.
$20.99
Romanus Weichlein: Opus I, 1695—
$20.99
Description
After a first disc devoted to Schmelzer, enthusiastically hailed by the critics ('Editor's Choice' Gramophone, 'Choc' of Classica), the ensemble Masques, conducted by Olivier Fortin, returns to Alpha with a programme combining works by Muffat, Kerll and Pachelbel along with those of a composer who has remained largely unknown and totally forgotten: Romanus Weichlein (1652-1706). Benedictine monk, prefect and official composer of the Benedictine abbey of S�ben, Romanus Weichlein left several collections of sonatas and masses as well as large chaconnes, magnificent works in the tradition of his compatriots Biber, Johann Heinrich Schmelzer, Pavel Josef Vejvanovsky� and Georg Muffat. In this new program, Masques presents both ensemble pieces and others for solo or two harpsichords (the second harpsichord being played by Skip Semp�), always featuring the expressiveness, eloquence and profound interpretation for which it is known.
